Durga Puja in Bishnupur and Murshidabad: Bengal's Oldest Courtyards

Aishwarya Kapoor | Times Life Bureau | Oct 16, 2026, 08:02 IST
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Durga Puja in Bishnupur and Murshidabad: Bengal's Oldest Courtyards
Durga Puja in Bishnupur and Murshidabad: Bengal's Oldest Courtyards
Image credit : AI

Kolkata's pandals draw the crowds, but the oldest Durga Pujas in Bengal happen behind the locked gates of bonedi bari courtyards in Bishnupur, Murshidabad, and the small towns in between. These are family pujas that have run for three hundred years without a sponsorship banner in sight. Here is what they look like from the inside, and how to reach them.

Highlights
  • Durga Puja in a bonedi bari is a private ritual rooted in tradition, often conducted by zamindar families in Bengal, which retains a unique cultural significance following the decline of the zamindari system in 1953.
  • Bishnupur, a town renowned for its terracotta temples and artistic idol-making, showcases Durga idols that adhere to the distinct Bankura style, differing from the Kumartuli style popular in Kolkata.
  • In Murshidabad, known for its Nawabi heritage, the bonedi bari pujas are characterized by their grand scale and a more accessible visitor experience due to the town's established heritage tourism infrastructure.

What a Bonedi Bari Puja Actually Is

Durga Puja in a bonedi bari is not a public event that a family happens to host. It is a private ritual that a family has agreed, for generations, to let the neighbourhood watch. The zamindar families of Bengal began commissioning their own Durga idols in the sixteenth and seventeenth centuries, partly as an act of devotion and partly as a display of aristocratic standing. The courtyard, the thakur dalan, a pillared hall open on one side, was built specifically for the idol and the rituals around her. When the zamindari system ended in 1953, the land went but the puja stayed. Families that had lost their estates kept the ritual because by then it was inseparable from who they were. The idol that arrives on Shashthi and leaves on Dashami is the same idol, in the same posture, made by the same lineage of artisans, that their ancestors installed two or three centuries ago. The clay, the straw armature, the pigments, all follow a house-specific canon that no outside committee has ever revised.


Ancient Bonedi Bari Entrance
Ancient Bonedi Bari Entrance
Image credit : AI


Bishnupur: Terracotta Town, Terracotta Goddess

Bishnupur in Bankura district is known to most visitors for its Malla-era terracotta temples, the Rasmancha, the Jor Bangla, the Shyamrai, but the town also carries some of the oldest domestic pujas in West Bengal. The Malla kings themselves instituted a Durga Puja that predates the more famous Sabarna Roy Choudhury puja of Barisha by at least a generation. What distinguishes the Bishnupur pujas is the visual grammar: the idols here retain the Bankura style, a slightly elongated face and a particular arrangement of the ten arms that differs from the Kumartuli idiom Kolkata exports to the world. Several of the old families still commission their idol from the same moholla of potters whose ancestors worked for the Malla court. The thakur dalans in the older neighbourhoods near the temples are narrow and deep, the columns worn smooth. If you arrive on Saptami morning before the crowds, the light through the courtyard entrance falls directly on the idol's face for about forty minutes. That is the window.


Getting to Bishnupur from Kolkata: trains run from Howrah on the Bankura Damodar Railway and the South Eastern Railway; journey time is roughly three to three and a half hours. The town has a handful of small hotels and homestays; book ahead for the Puja week because capacity is genuinely limited. The temples are a ten-minute cycle-rickshaw ride from the station.


Murshidabad: Nawabi Palaces and a Parallel Puja Culture

Murshidabad sits on the Bhagirathi, four hours north of Kolkata by train from Sealdah. The district is associated with the Nawabs, but the Bengali Hindu merchant and zamindar families who grew wealthy in the Nawabi economy built their own compounds along the same river, and their pujas are among the grandest in the state. The Cossimbazar Raj family's puja, which has been running for over three hundred years, is the most cited, but the Murshidabad district holds dozens of smaller bonedi bari pujas in towns like Berhampore, Jiaganj, and Azimganj that receive almost no coverage outside Bengali-language travel writing. The Jiaganj-Azimganj stretch across the river from each other is particularly dense: the twin towns were trading posts for Marwari and Bengali merchants, and the havelis they left behind have thakur dalans that are architecturally distinct from anything in Bishnupur or Kolkata, wider, with a Rajasthani influence in the bracketing, Bengali in the idol and the ritual.

The Murshidabad pujas tend to be more accessible to outside visitors than those in Bishnupur's older neighbourhoods, partly because the families have been receiving guests for longer and partly because the towns have a small heritage tourism infrastructure. Ferries cross the Bhagirathi between Jiaganj and Azimganj every few minutes during Puja; the crossing costs almost nothing and the view of the ghats from the water is the best way to understand the scale of what was built here.


Bhagirathi Dusk Serenity
Bhagirathi Dusk Serenity
Image credit : AI

The Smaller Towns: Chandrakona, Garhbeta, Kalna

Between the well-known stops, small-town Bengal holds pujas that have never been written about in English. Chandrakona in Paschim Medinipur has a puja that locals date to the Gajapati period. Garhbeta, an hour from Bishnupur, has three bonedi bari pujas within walking distance of each other. Kalna in Purba Bardhaman, known for its Rajbari temple complex, also has a Rajbari puja where the idol is installed inside a working temple courtyard rather than a domestic one, a slightly different ritual structure, but the same unbroken lineage.

These towns are harder to reach and offer almost no tourist infrastructure. The reward is exactly that. On Navami evening in Kalna, when the dhakis play the final round before immersion, the sound carries across the Ganga and there is nobody selling anything within earshot.

How to Visit Without Being That Visitor

Bonedi bari pujas are not heritage shows. The family is performing a ritual that their ancestors promised to perform. Visitors are tolerated and often genuinely welcomed, but the welcome is conditional on behaviour that the family will not explain because they assume you already know it. A few things that are not obvious to first-time visitors: remove footwear before the thakur dalan threshold, not at the outer gate. Do not photograph the pushpanjali, the flower offering, while it is in progress. If the family's women are gathered for a ritual, step back. Do not ask to see the idol up close during the sandhi puja, which happens at the junction of Ashtami and Navami and is the most internal moment of the five days. Bring a small gift if you have a prior connection to the family; arrive empty-handed if you are a stranger, because a gift from a stranger requires a reciprocal gesture that puts the family in an awkward position.

The best introduction to a bonedi bari puja, if you have no prior connection, is through a local guide who has one. Bishnupur and Murshidabad both have licensed heritage guides who can arrange entry to at least one family puja as part of a day's itinerary. The cost of the guide is the cost of the access; there is no ticket.

The season is October, the exact dates shifting each year with the lunar calendar. The Kolkata-Bishnupur train fills up from Saptami onward; book at least three weeks ahead on IRCTC. For Murshidabad, the Hazarduari Express from Sealdah is the fastest option. Budget accommodation in both towns runs between ₹800 and ₹2,500 per night depending on what you are willing to accept. The bonedi bari courtyards are free.